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Then again, the dialogue throughout is clunky, leaving actors like Waltz to earnestly utter lines like “A warrior’s spirit needs a warrior’s body.” And while the computer-generated animation impressively realizes the characters, there is something numbing about all the violence involving cyborgs and humans with mostly robotic parts, which can be sliced, diced and replaced with impunity. ![]() Unfortunately, when she isn’t bashing things, Alita talks and pouts like any teenager, mooning over a boy (Keean Johnson) and indulging in dialogue that sounds closer to after-school-special territory than science-fiction blockbuster. When pressed into action, Alita turns out to be an extraordinary fighter, skills she’s given ample opportunity to show off, both on the mean streets of this strange, brutal world – devoid of guns, but populated by bounty hunters known as “Hunter-Warriors” – and playing a Rollerball-like game called Motorball, where mangling the competition falls within the rules. In his foraging for material, he discovers a broken cyborg that he names Alita (Rosa Salazar), one in the form of a teenage girl, albeit with exaggerated cartoon eyes, some “Ex Machina”-esque translucent limbs and a mysterious past that she can’t remember. Waltz plays Ido, a doctor who specializes in helping the denizens of Iron City with their artificial parts, which are many. 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